Movies Like Divergent: 16 Best YA Dystopia Pick

October 31, 2025
A cinematic poster titled “MOVIES LIKE DIVERGENT,” featuring four films—The Hunger Games, I Am Number Four, Ender’s Game, and The Maze Runner—set against a dark futuristic cityscape with blue lightning and glowing yellow title text.
Cinematic thumbnail for “Movies Like Divergent,” highlighting YA dystopian films with futuristic energy and bold MAXMAG branding.

Five words in, movies like Divergent is the compass: a YA dystopian thriller with an underdog heroine, crisp training arcs, faction politics, and tests that escalate from classroom sparring to life‑or‑death trials, all spiked with contained romance and a conspiracy that challenges identity itself. The film’s tone is sleek and forward‑pushing, its story engine powered by selection rituals, rule‑bound competitions, and a secret plan that forces loyalty choices while friendships and rivalries sharpen. Stakes climb from personal survival to civic collapse, relationships hinge on trust under surveillance, and signature moments include fear‑scape simulations, rooftop leaps, and faction betrayals that reframe the world.

From that blueprint we score each pick by how closely it mirrors choice‑driven progression, a tight teen‑to‑young‑adult perspective, and community systems that sort, grade, or weaponise youth potential. Our similarity criteria track five precise axes, ensuring movies like Divergent means a match in momentum, governance‑as‑antagonist energy, and romances that never drown the mission.

Jump to: Top picks | Darker options | Lighthearted picks

Methodology & scoring

  • Tone: urgency, sleek futurism, PG‑13 peril.
  • Narrative engine: trials, rankings, missions, and secrets that trigger the next test.
  • Themes: identity, conformity vs choice, resistance, found loyalty.
  • Character dynamics: principled lead plus wary mentor, rival turned ally, slow‑burn romance.
  • Stakes: rising from personal safety to city‑wide upheaval.

We also balanced eras and regions for variety within tight similarity, so the list feels fresh while still nailing the DNA of movies like Divergent.

Searching for sharp, propulsive movies like Divergent that keep the tests coming?

1) The Hunger Games (2012)

  • Runtime: 142 min
  • Starring: Jennifer Lawrence, Josh Hutcherson
  • Director: Gary Ross
  • Genre: Science fiction / Dystopian
  • IMDb Rating: 7.2/10
  • Why it’s similar: Deadly selection, televised trials, rebellion spark, principled heroine.

Anxious ceremony and a defiant volunteer set the hook immediately. In a rigidly stratified future, a lottery condemns teens to an arena where image controls survival. The tone is tense and procedural with bursts of spectacle. Katniss and Peeta echo the guarded‑trust, values‑driven bond that centres Tris and Four. Panem’s Capitol provides a decadent yet oppressive world system that mirrors faction hierarchy. Emotional payoffs hinge on integrity under scrutiny and the cost of resistance. Fans chasing movies like Divergent will recognise the pressure of performative allegiance. It closes on a choice that widens the conflict beyond the games.

2) The Maze Runner (2014)

  • Runtime: 113 min
  • Starring: Dylan O’Brien, Kaya Scodelario
  • Director: Wes Ball
  • Genre: Science fiction / Dystopian
  • IMDb Rating: 6.8/10
  • Why it’s similar: Amnesiac recruits, lethal tests, secret architects, team loyalty.

A boy wakes in a cage and the mystery slams into gear. The premise locks teens in a shifting labyrinth where rules keep terror barely contained. Pacing is kinetic with day missions and night consequences. Thomas’s friction with leaders and bond with Teresa parallel principled defiance and wary partnership. The Glade’s mini‑society and Maze tech evoke controlled environments and lab‑like oversight. Payoffs reward initiative and sacrifice under system cruelty. Viewers wanting movies like Divergent will feel the escalation from trial to conspiracy. The ending tears down the first wall and reveals a larger gauntlet.

3) The Giver (2014)

  • Runtime: 97 min
  • Starring: Brenton Thwaites, Odeya Rush
  • Director: Phillip Noyce
  • Genre: Science fiction / Social sci‑fi
  • IMDb Rating: 6.4/10
  • Why it’s similar: Ceremony of roles, controlled emotion, rule‑breaking awakening.

A placid graduation day masks a moral shock. Assigned as Receiver, Jonas uncovers forbidden memory and the price of engineered harmony. The tone is calm‑to‑rupture, building dread through polite rituals. Jonas and his mentor mirror a guarded mentor‑student axis that reframes duty and love. Suburban minimalism and boundary drones create a soft dystopia that hides sharp edges. Emotional alignment pivots on agency reclaimed and empathy rediscovered. If you’re seeking movies like Divergent, this explores choice versus conformity with clarity. The close insists that one brave theft can reboot a community’s humanity.

4) The 5th Wave (2016)

  • Runtime: 112 min
  • Starring: Chloë Grace Moretz, Nick Robinson
  • Director: J Blakeson
  • Genre: Science fiction / Invasion
  • IMDb Rating: 5.2/10
  • Why it’s similar: Teenage survivor, military sorting, trust games, mission focus.

Disaster strikes in layered strikes and a sister disappears. Cassie navigates a militarised youth program that turns training into a lie detector for the soul. The pacing alternates road survival and boot‑camp urgency. Dynamics echo guarded alliances and a slow willingness to risk trust. Ruined suburbs and command compounds deliver a grounded apocalypse. The payoff hinges on protecting family while dismantling manipulation. Those chasing movies like Divergent will recognise indoctrination tested by conscience. It ends on defiance that seeds a wider resistance.

5) Ender’s Game (2013)

  • Runtime: 114 min
  • Starring: Asa Butterfield, Hailee Steinfeld
  • Director: Gavin Hood
  • Genre: Science fiction / Military sci‑fi
  • IMDb Rating: 6.6/10
  • Why it’s similar: Ranking ladders, simulation trials, prodigy under scrutiny.

A shy strategist is drafted into orbit where games decide wars. The premise centralises zero‑gravity arenas that turn school into battlefield. Tone is cool and analytical with bursts of triumph. Ender’s mentors and rivals map to pressure from authority and jealousy within the cohort. Space stations and holographic control rooms supply sterile systems that hide ethical rot. Emotional release lands with the cost of victory and the weight of empathy. For viewers wanting movies like Divergent, the tests‑to‑truth structure clicks. The final turn reframes the entire curriculum as a moral trap.

6) City of Ember (2008)

  • Runtime: 90 min
  • Starring: Saoirse Ronan, Harry Treadaway
  • Director: Gil Kenan
  • Genre: Science fiction / Adventure
  • IMDb Rating: 6.4/10
  • Why it’s similar: Assigned jobs, failing system, teen duo solves coded mystery.

An underground city flickers and hope dims with the lights. Two youths follow cryptic instructions that promise a way out if decoded in time. The tone is cozy‑perilous with puzzle‑box beats. Their partnership mirrors values‑first teamwork and steady trust building. The steampunk tunnels and civic rot capture institutions past their sell‑by date. Emotional payoffs celebrate ingenuity over force. If you crave movies like Divergent, the graduation‑assignment catalyst will feel right. The ending cracks the ceiling and restores a literal sunrise.

7) I Am Number Four (2011)

  • Runtime: 111 min
  • Starring: Alex Pettyfer, Dianna Agron
  • Director: D J Caruso
  • Genre: Science fiction / Superpowered YA
  • IMDb Rating: 6.1/10
  • Why it’s similar: Hidden gifts, hunted teens, tight trust circle, identity choice.

A quiet transfer student hides luminous power and a target on his back. The premise splits school life with flight‑and‑fight logistics. Tone balances brooding set‑ups with crisp bursts of action. The core bond echoes guarded openness that becomes ride‑or‑die loyalty. Small‑town corridors contrast with alien warlords and covert guardians. Emotional beats land on self‑definition and protecting chosen family. Viewers looking for movies like Divergent will recognise secrecy tested by danger. It closes with a regroup and a promise of a wider quest.

8) The Darkest Minds (2018)

  • Runtime: 104 min
  • Starring: Amandla Stenberg, Harris Dickinson
  • Director: Jennifer Yuh Nelson
  • Genre: Science fiction / Dystopian
  • IMDb Rating: 5.7/10
  • Why it’s similar: Colour‑coded classes, road escape, found team, first love under fire.

A plague leaves gifted survivors warehoused by a fearful state. Ruby flees classification camps and builds a mobile tribe that learns to trust. The tone is fugitives‑on‑the‑run with soft romance. Dynamics echo rivals‑to‑allies and a protective mentor figure. America’s backroads and checkpoints render a map of control and cracks. Emotional payoff rides on sacrifice and the right to be more than a label. For fans after movies like Divergent, the power‑sorted youth premise hits home. The ending sets a rebel path without tidy closure.

Break A: Taut, high‑risk movies like Divergent that tilt grimmer

Promotional poster titled “MOVIES LIKE DIVERGENT,” featuring four dystopian adventure films—Tomorrow, When the War Began, Chaos Walking, Ready Player One, and Love and Monsters—set against a warm-toned post-apocalyptic city background with the MAXMAG logo below.
Alternate cinematic thumbnail for “Movies Like Divergent,” using golden dystopian hues and different YA sci-fi titles for a fresh visual tone.

9) Nerve (2016)

  • Runtime: 96 min
  • Starring: Emma Roberts, Dave Franco
  • Director: Henry Joost, Ariel Schulman
  • Genre: Thriller / Tech game
  • IMDb Rating: 6.5/10
  • Why it’s similar: Gamified dares, surveillance, viral ranking pressure.

A shy senior clicks join and the city turns into a neon arena. The premise weaponises social platforms into real‑world dares scored by crowds. Tone is glossy, breathless, and escalating in public. Partnerships and betrayals mirror risk‑calculus romance and rival energy. New York’s urban obstacle course reframes faction trials as influencer spectacle. Emotional beats weigh agency against peer validation. Viewers hunting movies like Divergent will recognise rigged systems selling choice. It ends with a mass refusal that hacks the game’s power.

10) Equals (2015)

  • Runtime: 101 min
  • Starring: Nicholas Hoult, Kristen Stewart
  • Director: Drake Doremus
  • Genre: Science fiction / Romance
  • IMDb Rating: 6.0/10
  • Why it’s similar: Emotion suppression, secret coupling, rule‑break as awakening.

In a pale future where feeling is disease, two coworkers rediscover touch. The premise turns office routine into contraband intimacy and tactical secrecy. The tone is hushed, minimal, and steadily tense. Their bond mirrors quiet strength and a risk‑aware, values‑first romance. Clinical architecture and soft whites evoke enforced order and hidden clinics. The emotional payoff rests on choosing love over erasure. If you chase movies like Divergent, the suppressed‑emotion revolt resonates. The final image suggests escape carved through tenderness.

11) Tomorrow, When the War Began (2010)

  • Runtime: 103 min
  • Starring: Caitlin Stasey, Rachel Hurd‑Wood
  • Director: Stuart Beattie
  • Genre: Action / Invasion YA
  • IMDb Rating: 6.1/10
  • Why it’s similar: Teen squad tactics, occupied hometown, courage under pressure.

A camping trip returns to an occupied suburb and adrenaline takes the wheel. The premise turns classmates into a guerrilla cell defending their streets. Tone is practical and bold with bursts of sabotage. Dynamics mirror a values‑led leader earning trust and balancing risk with care. Familiar Australian settings become contested zones and moral classrooms. Emotional beats stress responsibility born too soon and earned bravery. Fans wanting movies like Divergent will recognise team cohesion forged by necessity. The finale proves small wins matter when the war is long.

12) Chaos Walking (2021)

  • Runtime: 109 min
  • Starring: Tom Holland, Daisy Ridley
  • Director: Doug Liman
  • Genre: Science fiction / Frontier
  • IMDb Rating: 5.7/10
  • Why it’s similar: Colonist rules, persecuted outsider, truth beyond taught myths.

On a distant colony every man’s thoughts spill into the air as Noise. The premise pairs an isolated boy with a crash‑landed girl whose silence is revolutionary. Tone mixes chase‑film urgency with frontier strangeness. Their wary partnership maps to guarded trust and growing resolve. Forest towns and river routes sketch a young world ruled by fear. The payoff weighs inherited lies against chosen truth. Those after movies like Divergent will click with doctrine challenged by lived reality. The ending opens paths that demand braver steps.

13) Ready Player One (2018)

  • Runtime: 140 min
  • Starring: Tye Sheridan, Olivia Cooke
  • Director: Steven Spielberg
  • Genre: Science fiction / Adventure
  • IMDb Rating: 7.4/10
  • Why it’s similar: Trials for keys, corporate villainy, team solves layered puzzles.

A poverty‑stacked teen chases keys inside a world‑scale simulation. The premise turns pop‑culture literacy into gate trials with real‑world costs. Tone is buoyant and race‑forward with sprinting set pieces. The Parzival‑Art3mis rapport echoes competence‑based trust and shared mission. The OASIS and Columbus slums mirror dual systems, digital and corporate. Emotional payoffs land on community over ownership. Seekers of movies like Divergent will appreciate merit‑based ascent checked by ethics. The ending hands the power back to players who choose balance.

Break B: Brighter, quest‑forward movies like Divergent with adventure lift

14) The Maze Runner: The Scorch Trials (2015)

  • Runtime: 132 min
  • Starring: Dylan O’Brien, Kaya Scodelario
  • Director: Wes Ball
  • Genre: Science fiction / Dystopian chase
  • IMDb Rating: 6.3/10
  • Why it’s similar: Lab escape, shifting allies, mission‑to‑mission survival.

A promised refuge reveals another experiment and the sprint continues. The premise swaps puzzles for wasteland runs and moral triage. Tone is kinetic desert chase with bunker breathers. Thomas’s protective leadership and fractures in trust track core Divergent energies. Derelict malls and storm‑lit ruins extend the test‑course world. The payoff prizes loyalty while acknowledging hard costs. Audiences seeking movies like Divergent will enjoy the mission‑chain propulsion. It closes on regrouping, intel, and the next move.

15) Love and Monsters (2020)

  • Runtime: 109 min
  • Starring: Dylan O’Brien, Jessica Henwick
  • Director: Michael Matthews
  • Genre: Adventure / Post‑apocalyptic
  • IMDb Rating: 7.0/10
  • Why it’s similar: Kind‑hearted lead, road trials, community rebuilt through courage.

A bunker‑bound romantic heads topside to cross a creature‑ruled map. The premise stitches survival lessons to friendly oddballs and inventive set pieces. Tone is upbeat peril with witty beats and warmth. Joel’s growth parallels principled bravery and soft‑power leadership. Coastal towns and overgrown highways make a colourful apocalypse. Emotional payoffs celebrate self‑respect as much as reunion. For fans of movies like Divergent, this keeps risk readable and hope intact. The ending chooses found family and a braver next day.

16) The Mortal Instruments: City of Bones (2013)

  • Runtime: 130 min
  • Starring: Lily Collins, Jamie Campbell Bower
  • Director: Harald Zwart
  • Genre: Urban fantasy / YA
  • IMDb Rating: 5.8/10
  • Why it’s similar: Hidden societies, initiation rites, romance within war of factions.

A New York teen glimpses runes and falls into a secret war. The premise moves from club attack to Shadowhunter initiation with escalating revelations. Tone mixes goth glamour with brisk monster‑of‑the‑week rhythms. Clary’s push‑pull with mentors and peers mirrors guarded trust and team growth. Cathedrals, safe houses, and alleys give a city‑within‑city system of rules. Emotional payoffs hinge on chosen identity and messy lineage. Viewers chasing movies like Divergent will read the initiation trials as kin. The last beat sets a quest across bloodlines and loyalties.

Conclusion: Where to go after movies like Divergent and the YA dystopia spark

Stack your queue by mood and mission: for gentle school‑magic energy try City of Ember or The Mortal Instruments: City of Bones, for higher‑stakes but readable tension pick The Hunger Games or The Maze Runner, for quick wins with brightness choose Love and Monsters or Nerve, for classic myth‑creature trials go with I Am Number Four, for clue‑hunt family adventures select City of Ember, for modern city spellcraft lean on The Mortal Instruments: City of Bones, for team‑quest energy chase The Scorch Trials or Tomorrow, When the War Began, and for romantic sparkle under pressure choose Equals. To go deeper on why youth narratives carry political bite, read the BFI’s features. For a craft‑minded look at action structure and character stakes, browse the AFI news and essays. Whatever route you take, the common thread of choice under pressure keeps these stories racing forward.

FAQ: Smart answers for people searching movies like Divergent

Q1: What defines your picks as truly close to movies like Divergent rather than just YA sci‑fi?

A1: We weigh five axes—tone, narrative engine, themes, character dynamics, and stakes—so each film mirrors Divergent’s urgent tests, governance pressure, and values‑first bonds.

Q2: Are these suitable for teens who liked the training and factions angle?

A2: Yes. Most keep peril readable, foreground teamwork, and frame romance as support, not detour.

Q3: Why include urban‑set stories next to pure dystopias?

A3: Systems of control appear as cities, labs, or secret societies, but the test‑to‑truth arc stays intact.

Q4: How did you ensure variety while keeping similarity tight?

A4: We mixed eras and regions, but every title passes our five‑axis scorecard and maps core Divergent beats.

Q5: Which one should I try first after rewatching the original?

A5: Start with The Hunger Games for governance‑as‑villain intensity, or The Maze Runner for puzzle‑to‑conspiracy momentum.

Film writer and editor with a BA in Media and Visual Communication from the University of Amsterdam. Before joining MAXMAG, Amanda worked with several European film publications and independent production teams, developing a keen eye for narrative craft and visual language. Deeply passionate about world cinema and contemporary television, she explores how storytelling shapes cultural identity and audience emotion across screens.

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